Bartolome Esteban Murillo
Spanish
1618-1682
Bartolome Esteban Murillo Galleries
Murillo began his art studies under Juan del Castillo in Seville. Murillo became familiar with Flemish painting; the great commercial importance of Seville at the time ensured that he was also subject to influences from other regions. His first works were influenced by Zurbaran, Jusepe de Ribera and Alonso Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works.
In 1642, at the age of 26 he moved to Madrid, where he most likely became familiar with the work of Velazquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. He returned to Seville in 1645. In that year, he painted thirteen canvases for the monastery of St. Francisco el Grande in Seville which gave his reputation a well-deserved boost. Following the completion of a pair of pictures for the Seville Cathedral, he began to specialise in the themes that brought him his greatest successes, the Virgin and Child, and the Immaculate Conception.
After another period in Madrid, from 1658 to 1660, he returned to Seville. Here he was one of the founders of the Academia de Bellas Artes (Academy of Art), sharing its direction, in 1660, with the architect, Francisco Herrera the Younger. This was his period of greatest activity, and he received numerous important commissions, among them the altarpieces for the Augustinian monastery, the paintings for Santa Mar??a la Blanca (completed in 1665), and others. Related Paintings of Bartolome Esteban Murillo :. | Virgin and Child | Omelette woman | Phi cranial girl | Annunciation | Virgin and the Son | Related Artists: Thomas ButtersworthEnglish Painter, 1768-1828, He was a seaman of the Napoleonic wars period who became a maritime painter producing works to commission, and was little exhibited during his lifetime. He was born on the Isle of Wight, England. He enlisted in the Royal Navy in London in 1795, and served on HMS Caroline during the wars with France, then was invalided home from Minorca in 1800. The National Maritime Museum in London has 27 watercolours by him, several of which are mounted on sheets from 18th century printed signal and muster books. John gloverEnglish-born Australian Painter, 1767-1849
English painter. He was employed first as a schoolteacher at Appleby (Cumbria) and after 1794 as a drawing-master at Lichfield (Staffs), from where he sent drawings to London each year; on his occasional visits to the capital he received lessons from William Payne and was clearly influenced by him. In the 1790s he also began to practise in oils, some of which were exhibited at the Royal Academy from 1795 onwards. At the first exhibition of the Society of Painters in Water-Colours (April-June 1805) Glover's pictures were priced more highly than those of any other exhibitor; he was elected President of the Society in 1807 and again in 1814-15. A typical watercolour is his Landscape with Waterfall (U. Manchester, Whitworth A.G.). Salvatore Postiglionepainted Pier Damiano e la contessa Adelaide di Savoia in 1887
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